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ART

WALLY WOOD

(1927 - 1981)

Wallace Allan Wood (June 17, 1927, Menahga, MinnesotaNovember 2, 1981, Los Angeles, California) was an American comic book writer, artist and independent publisher, best known for his work in EC Comics and Mad. Although much of his early professional artwork is signed Wallace Wood, he became known as Wally Wood, a name he claimed to dislike.[1] Within the comics community, he was also known as Woody, a name he sometimes used as a signature.

He was the first inductee into the comic book industry's Jack Kirby Hall of Fame, in 1989, and was inducted into the subsequent Will Eisner Award Hall of Fame three years later.

In addition to Wood's hundreds of comic book pages, he illustrated for books and magazines while also working in a variety of other areas — advertising; packaging and product illustrations; gag cartoons; record album covers; posters; syndicated comic strips; and trading cards, including work on Topps' landmark Mars Attacks set.

EC publisher William Gaines once stated, "Wally may have been our most troubled artist... I'm not suggesting any connection, but he may have been our most brilliant".[2]

MORE: http://en.wikipedia.org/wiki/Wally_Wood

Wood quickly became a master at the art of science fiction and horror. Here is an early cover from 1951 for CAPTAIN SCIENCE 4. Already, he is drawing beautiful women in sensual poses, as the woman threatened by the space monster in the background can verify.

1952 COVER

MORE: http://psychosaurus.com/frames/wwgallery.html

Wally Wood grew up wanting to be a cartoonist. Born in 1927, he studied at the feet of the master cartoonists of his day. Every week saw the delivery of another course brightly wrapped around the Sunday newspaper. He did manage to spend some time at the Cartoonists and Illustrators School in New York and as an assistant to George Wunder who was drawing Terry and The Pirates. Early in 1949 he found Renaldo Epworth who brokered comic book stories for some of the low-end publishers. Wood was officially drawing comics!

Hidden behind the verbiage and cramped art in the first panel above is probably the first appearance of Wally Wood's signature in a comic book. The "Woody" sneaked into the marquee is from a Fox romance comic, My Confession, from October of 1949. He was barely 22 and fresh out of the merchant marines when Epworth teamed him up with two separate aspiring young cartoonists, Marty Rose and Harry Harrison, to produce a spate of stories for Fox in 1949 and 1950. Rose went on to oblivion, Harrison to a long career as a science fiction writer, and Wood to a checkered and impressive career as one of the most famous and influential comic book artists in history. It started with a meteoric rise to stardom.

MORE: http://www.bpib.com/illustrat/wood.htm

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THE SPARBER GUIDE TO THE TWIN CITIES: WALLY WOOD

9:08 AM Posted by Max Sparber

WALLY WOOD'S CAREER was dazzling, and, if you know anything at all about comics, you know his name. The artist, born in Menahga, Minnesota, provided some of the defining work for several success generations of the industry. He started with the legendary Will Eisner, providing backgrounds for The Spirit (and eventually would cocreate The Outer Space Spirit, a short-lived, but astounding, attempt to revitalize the character.) He was one of the star artists for EC's notorious line of science fiction- and horror-themed comics, which met their doom when a quack named Frederick Wertham insisted they were one of the causes of juvenile delinquency and pulled the comics' creators before a congressional committee. The resulting Comics Code led to the birth of Mad Magazine, and Wally Wood wound up being one of the magazines most frequent, and beloved, contributors. He also worked with Marvel, and created the iconic costume for Daredevil. In the Sixties, Wood self-published his own comic book, witzend, which, with its radical and uncensored contents and status as an independently published comic book, puts it as being one of the first -- and perhaps the very first -- underground comic. And, to fans of the Sixties counterculture, Wally Wood made be most notorious for an illustration he provided for Paul Krassner's Realist: The Disneyland Memorial Orgy, a massive double-truck spread that showed a vast array of Disney characters engaged in obscene, and often pornographic, activities.

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MORE: http://www.costa.lunarpages.com/ec/

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When comic books came under fire in the 1950’s during the communist witch hunts, EC’s publisher William M Gaines refused to allow his company’s work to be censored. He discontinued his popular line of comic books… except for one… MAD. Gaines then turned Mad into a magazine so that it would not fall under the jurisdiction of the comics code censorship board. EC fights for freedom of speech! In the 30 odd years Bill published MAD magazine, there was never a single outside advertisement in it. MAD magazine would not be influenced by advertisers in any way shape or form, and it went on to become one of the most hilariously revolutionary publications ever, and with some of the best humorists, and artists in the world. 
Of the EC line, the science fiction comics were my favorites… incredible art, and incredible stories. Ray Bradbury was such a fan of EC, that he allowed the boys to illustrate his stories for something like 50 bucks a pop. He was just delighted to see his work so beautifully realized. What I’ve been dying to show you folks for weeks is one of my all time favorite EC comics drawn by the supernaturally talented Wally Wood. Wally’s name became synonymous with 50’s sci-fi illustration. He was best known for his tenure as a staffer at EC. Some of you already know Wally for his classic Mad stories such as Superduperman, Little Orphan Melvin, and Batboy and Rubin.

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THE SPIRIT 1952

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THUNDER AGENTS, DYNAMO # 1 PG. 7

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Click to see one of Wallace Wood's lovely sci-fi mag illustrations, this one reprinted in Bill Black's GOLDEN AGE GREATS # 12 from 1998: MORE

Courtesy of the ever-popular Thom Buchanan, here's a 1960 tribute to Wood from Walt Kelly's POGO. Thom isn't sure if this was an actual strip or extra art for the book reprint but either way, it's nifty wordplay and a nice tribute. On another ocassion, Kelly named the boat with the ever-changing name (usually from panel to panel even!) after Wood!

MORE: http://wallywoodart.blogspot.com/

Sally Forth, a comic strip created by Wally Wood for a military male readership.

Wood's sexy action-adventure character, who is often seen nude, began as a recruit in a commando outfit. She first appeared June, 1968, in Military News, a 16-page tabloid from Armed Forces Diamond Sales. The title is a play on words - "to sally forth" means to set out on an adventure.

In 1976, Wood recalled:

It all started in 1968, when I was asked to do a complete comic section for a proposed tabloid newspaper for servicemen, four pages of full-color, service-oriented humor strips... There was a high-flying lowlife named 'Wild Bill Yonder,' a couple of others that for some reason escape my memory... (such an embarrassment) and one that I felt, and still feel, had a great name for a comic heroine... Sally Forth.

Sally returned July 26, 1971, in Overseas Weekly, a tabloid targeted at U.S. military men serving outside North America. With Wood getting an assist from writer-artists Nick Cuti, Paul Kirchner and Larry Hama, Sally Forth continued in Overseas Weekly until April 22, 1974.

MORE: http://en.wikipedia.org/wiki/Sally_Forth_(Wally_Wood)

MORE: http://www.geocities.com/tonyrobertsonca/index.htm

MORE: http://www.vanguardproductions.net/wallywood/

New Wally Wood Collection from Vanguard

In last week’s Main Event we detailed how the next Artist’s Edition book from IDW Publishing would spotlight Wally Wood. Now we’re happy to let you know that there’s another book coming that features the renowned master’s work. Vanguard Publishing has announced that they will release Strange Worlds of Science Fiction: The Science Fiction Comics of Wally Wood, part of new line called “Vanguard Wally Wood Classics.”

MORE: http://scoop.diamondgalleries.com/public/default.asp?t=1&m=1&c=34&s=261&ai=112267

Used by permission. ©2011 Gemstone Publishing, Inc. and/or Diamond International Galleries except where noted. 

All other material ©2010 respective copyright holders. All rights reserved.

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