Funny pages: Brian Walker re-examines a century of comics
For anyone who grew up reading the comics in the daily
newspaper, who wrestled the section away from taunting siblings, who devised a
system for reading in order of lamest (Family Circus) to funniest (Bloom
County), it’s odd to see those same strips reproduced in full color, on
heavy paper stock, and in a beautifully designed encyclopedia such as Brian
Walker’s The Comics: The Complete Collection. Originally, the comics
made no presumption to anything beyond entertainment. More ephemeral than even
crosswords and etiquette advice, they seemed drawn to be tossed out and
forgotten until the next day’s edition. Only the TV listings were more
disposable. There was, nevertheless, an undeniable charm to those modest panels,
which kept us reading every morning.
More than a century later, it’s hard to imagine what the fuss
was about. Could it be that the comic strip — that sweet, sad little relic now
crammed between the Daily Jumble and the Sudoku puzzle — once roused readers to
anger, once dared to offend? It’s hard to believe. Except for an occasional
outburst of slapstick violence, decency hangs like a pall over the comics page,
or what remains of it.
Brian Walker’s book “The Comics: The Complete Collection,”
which brings together his two previous volumes on the subject, makes clear how
much the comics once mattered and why. The son of Mort Walker (creator of
“Beetle Bailey” and other strips) and a cartoonist himself, Walker is one of the
comics’ greatest enthusiasts, and there is plenty here to be enthusiastic about.
The strips he assembles — many familiar, others obscure but well worthy of
attention — are beautifully reproduced and carefully annotated.
The best example of an artist who was
under-appreciated in his time was George Herriman, the creator
of “Krazy Kat.“ Although intellectuals in the
1920s praised his work it was never popular with the general public and
“Krazy Kat” only appeared in 35 newspapers when Herriman died in 1944. It has
since become one of the most revered strips in comics history. There are many
cartoonists represented in the book who were great talents in their time but are
no longer household names. Among these I would include: “Tad” Dorgan,
Cliff Sterrett, Billy DeBeck and Roy
Crane.