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COMICS
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Fox Feature Syndicate[1] (also known as Fox Comics and Fox Publications) was a comic book publisher from early in the period known to fans and historians as the Golden Age of Comic Books. Founded by entrepreneur Victor A. Fox, it produced such titles as Blue Beetle, Fantastic Comics and Mystery Men Comics.
It is unrelated to the company Fox Publications, a Colorado publisher of railroad photography books.
Victor A. Fox and business associate Bob Farrell launched Fox Feature Syndicate at 480 Lexington Avenue in New York City in the late 1930s. For content, Fox contracted with comics packager Eisner & Iger, one of a handful of companies creating comic books on demand for publishers entering the field. Writer-artist Will Eisner, at Victor Fox's request for a hero to mimic the newly created hit Superman, created the superhero Wonder Man for Fox's first publication, Wonder Comics #1 (May 1939), signing his work "Willis". Superman owner National Periodical Publications, the company that would evolve into DC Comics, cited copyright infringement and quickly obtained a permanent injunction. Wonder Man did not reappear.
After Eisner testified against Fox Publications at trial, Victor Fox dropped the packager and hired his own stable of comic creators, beginning with a New York Times classified ad on Dec. 2, 1939. Joe Simon, a former Eisner & Iger freelancer, became Fox Publications' editor.
As one of the earliest companies in the emerging field, it employed or bought the packaged material of a huge number of Golden Age greats, many at the start of their careers. Lou Fine created the superhero The Flame in Wonderworld Comics; Dick Briefer created Rex Dexter of Mars in the eponymous series. George Tuska did his first comics work here with the features "Zanzibar" (Mystery Men Comics #1, Aug. 1939) and "Tom Barry" (Wonderworld Comics #4). Fletcher Hanks wrote and drew Stardust the Super Wizard in Fantastic Comics in 1939 and 1940. Matt Baker, one of the few African-American comic book artists of the Golden Age, revamped — in more than one sense — the newly acquired Quality Comics character Phantom Lady' in 1947, creating one of the most memorable and controversial examples of superhero "good girl art".
Future comics legend Jack Kirby, brought on staff here after freelancing for Eisner & Iger, wrote and drew the syndicated newspaper comic strip The Blue Beetle (starting Jan. 1940), starring a character created by Charles Nicholas Wojtkowski in Mystery Men Comics #1 (Aug. 1939). Kirby retained the house name "Charles Nicholas" for the comic strip, which lasted three months. Kirby, additionally, created and did one story each of the Fox features "Wing Turner" (Mystery Men #10, May 1940) and "Cosmic Carson" (Science Comics #4, same month).
MORE: http://en.wikipedia.org/wiki/Fox_Feature_Syndicate
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FROM THE KIRBY MUSEUM:
Mystery Men #10 (May 1940) Wing Turner, art by Jack Kirby
I recently posted on a couple of stories Simon and Kirby did for Prize Comics early in their collaboration (Ted O’Neil). Flying stories were not a big part of Simon and Kirby repertoire (but see The Milton Caniff Connection) and so I thought I would write about an earlier pilot story, Wing Turner from Mystery Men #10 (May 1940). I had previously written about this story (Early Jack Kirby, Chapter 2, Working for Fox) but my emphasis was on Kirby characterization and not on the flying. This Wing Turner story and another feature for Science Comics #4 were done at about the same time that Jack first met Joe Simon. Joe had just joined Fox as their first editor. Previously Fox Comics used Eisner and Iger to produce their comic books but that outfit was dropped and Simon was hired to set up a bullpen. It was a difficult task and one technique used was to advertise for Iger and Eisner artists that had previously worked on the comics (most signatures in the comics were aliases).
MORE: http://kirbymuseum.org/blogs/simonandkirby/archives/category/periods/2-fox
MORE: http://commons.wikimedia.org/wiki/Category:Golden_Age_of_Comic_Books
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